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Haaravate juhtumiuuringute seerias näitab ta valgesuse konstrueerimist fotograafia ja filmi tehnoloogias osana laiemast „valguse kultuurist”; arutleb kangelasliku valge mehelikkuse üle lihasmeeste märulifilmides, alates \u003ci\u003e„Tarzanist\u003c\/i\u003e ja \u003ci\u003eHerculesest”\u003c\/i\u003e kuni \u003ci\u003e„Conani\u003c\/i\u003e ja \u003ci\u003eRamboni”\u003c\/i\u003e ; analüüsib valgete naiste lämmatavat rolli impeeriumi lõpu teemalistes filmides nagu \u003ci\u003e„Jewel in the Crown”\u003c\/i\u003e ning jälgib valgesuse seoseid surmaga filmis \u003ci\u003e„Falling Down”\u003c\/i\u003e , õudusfilmides ja kultusdüstoopilistes filmides nagu \u003ci\u003e„Blade Runner”\u003c\/i\u003e ja „ \u003ci\u003eTulnukate”\u003c\/i\u003e triloogia.\u003c\/p\u003e  \u003cp\u003eSee kahekümnenda aastapäeva väljaanne sisaldab Maxime Cervulle'i uut sissejuhatavat peatükki pealkirjaga „Valgusesse vaadates: valgesus, rassism ja representatsioonirežiimid“. 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